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Their eventual compromise was a result of lengthy negotiations. Article 6. The central fountain contained jets that, when in play, formed an obelisk — hence the new name Bosquet de l'Obélisque Marie , , , ; Thompson ; Verlet Galerie d'Eau - Galerie des Antiques - Salle des Marronniers Occupying the site of the Galerie d'Eau , the Galerie des Antiques was designed in to house the collection of antique statues and copies of antique statues acquired by the Académie de France in Rome. Salle des Festins - Salle du Conseil - Bosquet de l'Obélisque In , André Le Nôtre conceived a bosquet — originally christened Salle des Festins and later called Salle du Conseil — that featured a quatrefoil island surrounded by a channel that contained fifty water jets. Sensing the potential threat to Versailles, Louis Claude Marie Richard — — director of the jardins botaniques and grandson of Claude Richard — lobbied the government to save Versailles. The City of Grand Rapids, Michigan created a lip dub video to "American Pie" in response to a Newsweek article that stated the city was "dying".

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Verlet, , Second building campaign[ edit ] Between and , a flurry of activity was evidenced in the gardens — especially with regard to fountains and new bosquets; it was during this time that the imagery of the gardens consciously exploited Apollo and solar imagery as metaphors for Louis XIV. Le Vau's enveloppe of the Louis XIII's château provided a means by which, though the decoration of the garden façade, imagery in the decors of the grands appartements of the king and queen formed a symbiosis with the imagery of the gardens.

Lighthart, ; Mâle, With this new phase of construction, the gardens assumed the topographical and iconological design vocabulary that would remain in force until the 18th century.

As André Félibien noted in his description of Versailles, solar and apollonian themes predominated with projects constructed at this time: "Since the sun was the emblem of Louis XIV, and that poets join the sun and Apollo, there is nothing in this superb house that does not relation to this divinity. Three additions formed the topological and symbolic nexus of the gardens during this phase of construction: the completion of the "Grotte de Thétys", the " Bassin de Latone ", and the " Bassin d'Apollon ".

Grotte de Thétys Started in and finished in with the installation of the statuary by the Gilles Guérin , François Girardon , Thomas Regnaudin , Gaspard Marsy , and Balthazar Marsy , the grotto [11] formed an important symbolic and technical component to the gardens.

It was as the cave of the sea nymph Thetis , where Apollo rested after driving his chariot to light the sky.

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The grotto was a freestanding structure located just north of the château. The interior, which was decorated with shell-work to represent a sea cave, contained the statue group by the Marsy brothers depicting the sun god attended by nereids central grouping and his horses being groomed by attendants of Thetis the two accompanying statue groups.

Originally, these statues were set in three individual niches in the grotto and were surrounded by various fountains and water features. Marie ; Nolhac , ; Thompson ; Verlet Technically, the "'Grotte de Thétys" played a critical role in the hydraulic system that supplied water to the garden. The roof of the grotto supported a reservoir that stored water pumped from the Clagny pond and which fed the fountains lower in the garden via gravity.

Latona and her children, Apollo and Diana , being tormented with mud slung by Lycian peasants, who refused to let her and her children drink from their pond, appealed to Jupiter who responded by turning the Lycians into frogs.

This episode from mythology has been seen by historians in reference as an allegory to the revolts of the Fronde , which occurred during the minority of Louis XIV. The link between Ovid's story and this episode from French history is emphasized by the reference to "mud slinging" in a political context.

The revolts of the Fronde — the word fronde also means slingshot — have been regarded as the origin of the use of the term "mud slinging" in a political context.

The fountain forms a focal point in the garden and serves as a transitional element between the gardens of the Petit Parc and the Grand Canal.

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Marie ; Nolhac , ; Thompson ; Verlet Grand Canal With a length of 1, metres and a width of 62 metres, the Grand Canal, [14] which was built between and , physically and visually prolongs the east-west axis to the walls of the Grand Parc.

During the Ancien Régime , the Grand Canal served as a venue for boating parties. In , as a result of a series of diplomatic arrangements that benefited Louis XIV, the king ordered the construction of Petite Venise Little Venice.

Located at the junction of the Grand Canal and the junction of the northern transversal branch, Little Venice housed the caravels and yachts that were received from The Netherlands and the gondolas and gondoliers received as gifts from the Doge of Venice , hence the name.

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Marie ; Nolhac , ; Thompson ; Verlet Above and beyond the decorative and festive aspects of this garden feature, the Grand Canal also served a practical role. Situated at a low point in the gardens, it collected water it drained from the fountains in the garden above.

Water from the Grand Canal was pumped back to the reservoir on the roof of the Grotte de Thétys via a network of windmill-powered and horse-powered pumps. The Grande Commande , as the commission is known, comprised twenty-four statues of the classic quaternities and four additional statues depicting abductions from the classic past. Berger I, ; Friedman, ,; Hedin, —; Marie, ; Nolhac, ; Thompson, ; Verlet, , ; Weber, Evolution of the Bosquets André Le Nôtre One of the distinguishing features of the gardens during the second building campaign was the proliferation of bosquets.

Bassin des Sapins In , the Bassin des Sapins, [29] which was located north of the château below the Parterre du Nord and the Allée des Marmousets [30] was designed to form a topological pendant along the north-south axis with the Pièce d'eau des Suisses located at the base of the Satory hill south of the château.

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Later modifications in the garden would transform this fountain into the Bassin de Neptune. Marie , ; Thompson ; Verlet Pièce d'eau des Suisses Excavated in , the Pièce d'eau des Suisses [31] — named for the Swiss Guards who constructed the lake — occupied an area of marshes and ponds, some of which had been used to supply water for the fountains in the garden. This water feature, with a surface area of more than 15 hectares, is the second largest — after the Grand Canal — at Versailles.

Marie , ; Nolhac , ; Thompson ; Verlet Third building campaign[ edit ] Bassin de Latone — Latona Fountain with the tapis vert and the Grand Canal in the background Modifications in the gardens during the third building campaign were distinguished by a stylistic change from the natural esthetic of André Le Nôtre to the architectonic style of Jules Hardouin Mansart.

The first major modification to the gardens during this phase occurred in when the Tapis Vert [32] — the expanse of lawn that stretches between the Latona Fountain and the Apollo Fountain — achieved its final size and definition under the direction of André Le Nôtre.

Statues from the Grande Commande of were relocated to other parts of the garden; two twin octagonal basins were constructed and decorated with bronze statues representing the four main rivers of France. Versailles Orangerie Additionally, to accommodate the anticipated construction of the Aile des Nobles — the north wing of the château — the Grotte de Thétys was demolished.

Marie , , ; Nolhac , , , Plan of Nicolas de Fer , With the construction of the Aile des Nobles — , the Parterre du Nord was remodeled to respond to the new architecture of this part of the château.

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To compensate for the loss of the reservoir on top of the Grotte de Thétys and to meet the increased demand for water, Jules Hardouin-Mansart designed new and larger reservoirs situated due north of the Aile des Nobles Thompson Construction for the ruinously expensive Canal de l'Eure was inaugurated in ; designed by Vauban it was intended to bring waters of the Eure over 80 kilometres, including aqueducts of heroic scale, but the works were abandoned in see "The problem of water" below.

Between and , the Bassin de Latone, under the direction of Jules Hardouin-Mansart, was rebuilt. It is this final version of the fountain that one sees today at Versailles.

Hedin ; Thompson ; Verlet During this phase of construction, three of the garden's major bosquets were modified or created. This bosquet was conceived as an open-air gallery in which antique statues and copies acquired by the Académie de France in Rome were displayed. The following year, construction began on the Salle de Bal.

The Salle de Bal was inaugurated in with a ball hosted by the Grand Dauphin. Between and , Jules Hardouin-Mansart built the Colonnade. Located on the site of Le Nôtre's Bosquet des Sources, this bosquet featured a circular peristyle formed from thirty-two arches with twenty-eight fountains and was Hardouin-Mansart's most architectural of the bosquets built in the gardens of Versailles Marie , ; Thompson ; Verlet Fourth building campaign[ edit ] Due to financial constraints arising from the War of the League of Augsburg and the War of the Spanish Succession , no significant work on the gardens was undertaken until Between and , bosquets were modified, some quite radically, with new names suggesting the new austerity that characterized the latter years of Louis XIV's reign.

In , Louis XV and the court returned to Versailles. Article 6. Il répond également des défauts de conformité résultant de l'emballage, des instructions de montage ou de l'installation lorsque celle-ci a été mise à sa charge par le contrat ou a été réalisée sous sa responsabilité. Cette période court à compter de la demande d'intervention de l'acheteur ou de la mise à disposition pour réparation du bien en cause, si cette mise à disposition est postérieure à la demande d'intervention.

The actual impact will be a subject of debate. I do not hesitate to discuss it with her, as she is very understanding and judges no one. One should be more sensitive to the music of this era after having studied it. Une solution raisonnable serait de trouver un bon compromis. A sensible solution would be to find a good compromise. To say eventual in French, you could use the words final, finale or ultime.

They will follow the rules designated by the committee to evaluate the situation in order to prevent any potential conflict of interest.

Their eventual compromise was a result of lengthy negotiations.

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As you can see, these faux amis look quite similar, can be easily mistaken for one another, and may even have common roots! And how in the world do we distinguish these from words that are cognates, which look, sound, and behave the same way in similar contexts?

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