Secrets are let loose as Meredith's mother is admitted to Seattle Grace and Cristina's pregnancy becomes public when she collapses in the OR. Meredith and Cristina are jogging. Meredith is very energized, but Cristina looks a little burned out. She says, "Oh, you're stupid. Oh God. You're a stupid evil sadist", to Meredith. Meredith says that endorphins are good that they elevate your mood. Cristina stops running and Meredith starts running circles around her.
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Make Me Lose Control
I'm exhausted. My mother is exhausting. What happened to Cristina is exhausting. And you?
The season continued to focus on the surgical residency of five young interns as they try to balance the challenges of their competitive careers with the difficulties that determine their personal lives. Whereas the first season put the emphasis mainly on the unexpected impact the surgical field has on the main characters, the second season provides a detailed perspective on the personal background of each character, focusing on the consequences that their decisions have on their careers. Throughout the season, new story lines were introduced, including the love triangle between Meredith Grey , Derek Shepherd , and Addison Montgomery , this being the main arc of the season. Also heavily developed was the story line involving Izzie Stevens' relationship with patient Denny Duquette, which resulted in critical acclaim and positive fan response. The season kept its original airtime from the previous season, taking over Boston Legal 's time slot at pm on Sundays, while airing as a lead-out to the already successful ABC series, Desperate Housewives. It contained 27 episodes, out of which four were originally produced for the first season. Bailey in his recently introduced role as Joe the Bartender. The season finale was conceived as a three-part story arc, the first of this kind in the series, and was scheduled to air on two consecutive nights. The show ended its second season with The season opened to critical acclaim, as most agreed on a significant improvement in story lines.